The Altos de Chavón Art Gallery hosted the vibrant inauguration of «Shared Territories,» the new exhibition by Argentine visual artist Ingrid Haubrich.
The opening cocktail reception was held on Thursday, November 6th and brought together members of the Casa de Campo community, who had the opportunity to speak directly with the artist and share their impressions of the exhibited collection of works. The evening became a space for enriching exchange.
During a special talk in the art gallery's conference room, Ingrid Haubrich revealed the inspiration and purpose behind her series “Footprint in the Sea.” Her work not only invites aesthetic reflection but actively seeks to raise awareness about the conservation of the seas and marine ecosystems.
This commitment is materialized in an important collaboration. Part of the profits from the series «Footprint in the Sea» will be donated to Fundemar's conservation programs, thanks to the support of the Caslini family, owners of the company IBI Náutica, and the valuable backing of the Embassy of the Argentine Republic in the Dominican Republic, through its Ambassador, Mrs. Sandra Winkler.
The Work:
The curatorship of the Altos de Chavón Art Gallery Director, Luciana Goldfain, for «Shared Territories» highlights Haubrich's vision, who proposes a «cartography of movement that assumes migration as a shared origin.».
«Ingrid Haubrich proposes a cartography of movement that assumes migration as a shared origin. An Argentine visual artist with over twenty years in Spain, she knows firsthand that territories do not separate: they intertwine.
“In the exhibition, the series dialogue with each other: seas merge with gardens, night brushes against spring, and the technological is grafted onto the organic. A constant vital flow is presented, rejecting watertight compartments and revealing a creation that resists isolation.
«Mareas» explores the sea as a mobile border: a line that separates and stitches together simultaneously, understood as a liquid archive of migrant memory in perpetual motion. Meanwhile, «Nightfalls» inhabits the liminal zone, the suspended threshold where identity is questioned and the landscape becomes transit.
“Haubrich's work traces cycles of transformation that bring us to think of ourselves as a «living tapestry of mixtures and resiliences,» understanding art not as a fixer of identities, but as a passage in constant mutation, a space where what migrates multiplies.
We invite you to stay tuned to the Gallery's social media for more information about our upcoming exhibitions.
